HO CHIUSO CON TE – I’M DONE WITH YOU

HO CHIUSO CON TE – I’M DONE WITH YOU

Ho chiuso con te, Guida Editori is the book for which I would like to thank Manuale di Mari  and the author: Emanuela Esposito Amato.

Ho chiuso con te is a sentence that immediately leads us to think of something peremptory, of an unhappy and angry epilogue, yet the book opens up many reflections.

The first ‘reflection’ is literally a mirror image: the book’s protagonists are twins bound by a promise.

Two sisters, one thing.

One thing just like the two opposing sides of the same soul: good and evil, Yin and Yang, Motown and Metal.

Do you also have an inside-out juxtaposition?

Escher comes to mind. 

 

Maurits Cornelis Escher, Bond of Union, April 1956. Lithograph, 25.3×33.9 cm, The Netherlands, Escher Foundation Collection All M.C. Escher works © 2021 The M.C. Escher Company The Netherlands. All rights reserved

We are wrong when we believe we are in truth and vice versa.
Thomas Bernhard

On the subject of what is true, the author, before telling the story, quotes a sentence by Oscar Wilde:

 

Is it really so? Do you feel yourself always and everywhere?

Is there a person in the world who really knows you to the core?

Emanuela Esposito Amato who is currently participating in The international book fair in Turin, dedicated the book to his brother.

His dedication immediately put me on his wavelength because I also think that ‘my’ brother is a BIG brother.

Do you have brothers or sisters? What kind of bond do you have, if you don’t mind me asking?

Very often there are stories of brotherly misunderstandings, quarrels, break-ups … of ‘I’m done with you.’

But will this really be the focus of the book?

I leave it to the reader to find out.

THE VERTICAL SUMMER

THE VERTICAL SUMMER

The vertical summer by Chiara Sfregola  published by Fandango is the book I received from Manuale di Mari whom I thank.

I don’t know if you already have an idea of what a ‘vertical’ summer might be like … I have wondered about it, and although I found the explanation in the book, I retain my own personal vision created by reading it.

Thinking about it now, vertical could also be the split between those who love summer and those who hate it.

How do you experience the summer season?

The protagonists of the book experience the emblematic events of their lives in summer: the timeline is in fact a relay of seven different female characters.

Very often we say ‘characters that revolve around’ in this case instead they move vertically, as in a descent inversely proportional to time passing, like a fall.

Like the summer that somehow represents the origin of all the events that strike in succession like a domino.

Dominoes whose tiles seem to fall even before they are hit.

Because they are imperfect tiles, unsatisfied with their role.

Everything seems too easy and it is exactly the ease with which things happen that makes them an unimportant outline, even successes, prestigious situations and luck seem totally irrelevant.

When nothing makes sense any more, the very construction of the book changes, like a restart whose initially stunted and unconvincing steps turn into a crescendo that corresponds to real growth.

The reader is taken to the epilogue with literally different writing, a form I particularly love.

And suddenly it all comes together.

RESTORED VELARIUM

RESTORED VELARIUM

Restored velarium at at the Cagnoni Theatre in Vigevano:  a rare case of a velario preserved in its original location.

It is a work by the painter Giovan Battista Garberini entitled The Siege of Vigevano.

The restoration was financed thanks to a fundraiser organised by the Associazione Amici del Teatro Cagnoni  and the Fondazione Piacenza Vigevano.

Sipario alla ribalta, written by Edoardo Maffeo, Dino Rabai, Giovanni Borroni and Pier Luigi Muggiati and published by Ievve, is dedicated to this work.

Sipario alla ribalta was published with the contribution of ASM Energia, Amici di Palazzo Crespi, Soroptimist Lomellina and the patronage of the Municipality of Vigevano

On Saturday 9 March at the Teatro Cagnoni foyer, the authors held the book presentation as speakers.

 

Edoardo Maffeo edited the part of the book concerning a careful biography of the Vigevano painter Giovan Battista Garberini.

Dino Rabai recounted what Vigevano was like at the end of the 19th century through meticulous research based on historical archives, interweaving his talk with curious and interesting information and anecdotes.

Giovanni Borroni dealt with the historiography of the 19th century on a national and international level as a century of important changes.

His speech offered a series of reflections that I really recommend not to miss: he himself called it a short chronology of a long century actually a long chronology of a short century.

I also leave you with the question that Giovanni Borroni asked those present: what is the historiographical sense of dividing history into centuries?

Pier Luigi Muggiati reassembled the historical facts, providing a precise reconstruction beyond the legend that has been handed down over time and revealing a particularly relevant detail.

But let us take a step back and return to the Siege of Vigevano portrayed on the velarium: if you pause to look at the scene depicted, you will notice that women are portrayed in the centre.

They are the ones strenuously defending the breach from the invaders commanded by Francesco Sforza, led by the woman depicted as a heroine in shining armour with drawn sword.

We have always known this character as Camilla Rodolfi.

However, Camilla Rodolfi is not a real woman: the name Camilla was inspired by the character in the Aeneid, while the surname Rodolfi belonged to an important family from Vigevano.

A woman who undoubtedly deserves mention is Pinin Brambilla Barcilon famous for the restoration of the Cenacolo: she was also the restorer of the Garberini’s velari, the book includes her report kept at La Venaria Reale

Giovan Battista Garberini also painted a second curtain entitled La Festa sul Ticino

Did you know that the curtain or velarium is also called a ‘comodino’ that more or less means handy?

ALL TRUE

ALL TRUE

Tutto vero is the title of the book by Alessandro Depegi, whom I thank most sincerely.

I met the author as a blogger and I recommend to follow his Quarchedundepegi’s Blog, you will immediately find his way of telling stories very interesting. 

E-mail after e-mail I am learning so much from Alessandro and I find everything he writes absolutely valuable.

Through his real ‘oral tradition‘ he opens a window on a period of history that I personally have never had the opportunity to get to know in such depth and detail.

But among the peculiarities that make Alessandro Depegi’s expressive language totally unique are his passions, including philately.

A world that is unfortunately dying out, a world that is dear to me because it also fascinated my father.

Do you still use stamps? When was the last time you received or saw one?

I often tell you about my personal nostalgia for letters

Did you ever think you could travel by following the route of a stamp, or discovering the history of various issues?

Few people have such detailed philatelic knowledge as he does.

But even fewer people have Alessandro’s life experience: a man who was able to combine his scientific expertise with deep and intense human research.

All true, then, what he tells in his book, just as definitely important is everything on which the reader will find himself reflecting “with wonder” to quote his words, and “by chance … that chance that does not exist.”

I conclude with this quote, wishing along with Alessandro that many may be the “Awakened.”

“Everything is either true or untrue, true and untrue together and, likewise, neither untrue nor true. Such is the teaching of the Awakened Ones.”
Nagarjuna

I NEVER FORGET TO CALL YOU LOVE

I NEVER FORGET TO CALL YOU LOVE

Non mi dimentico mai di chiamarti amore (I never forget to call you love) is the sylloge published by Parallelo45 for which I surely “won’t forget” to thank Carmelo Cossa and Manuale di Mari

February has arrived, the month of Valentine’s Day, the most famous romantic occasion, just as romantic is the author’s soul.

Carmelo Cossa is immediately striking in the way he declares his love: love for poetry.

So Poetry becomes the way for expressing the idealisation of love as a totally harmonising expression of feeling.

The author is like a knight of the dolce stil novo, even though life has taken him far from his roots.

Reading the poems in Non dimentico mai di chiamarti amore (I never forget to call you love) I had a strong sense of how the journey from his homeland to the place that would offer him fulfilment was a key element for Carmelo.

Among my favourite poems:

Con il cuore appeso (With the Hanging Heart) because I found myself in the concept of a night grip and also in the comparison of a shredded cloth stretched out in the sun.

Natura e vita (Nature and Life) because I found the personification of nature in the first person a metaphor capable of giving a powerful sense of flow, vitality and harmony.

Magia di vita (Magic of life) for the concept of the ‘beginning again’ of the cycle of the seasons that repeat, but even more so, relive.

Speaking of his Poetry, Carmelo Cossa also quotes Rita Levi Montalcini:

it is better to add life to days than days to life

thus capturing the mark of what I would dare to call a life mission for him: he lives for poetry and makes poetry alive.

So I invite you to pause on Non mi dimentico mai di chiamarti amore (I never forget to call you love) and to think about to which ‘love’ your life is dedicated.

GIOVANNI TOMMASINI

GIOVANNI TOMMASINI

With each new year in one way or another, we find ourselves with the thought of “beginning.” 

I would like to quote Mary Shelley’s phrase
The beginning is always today.

At the beginning of the KCDC journey I could not imagine that I would have met you, perhaps we would not have had the chance to connect without the help of the web, or perhaps we would.

The network of virtual connections also led me to a very special ‘home base’: Giovanni’s concept of home base and baseball metaphor, which I suggest you discover directly from his words.

The KEEP CALM & DRINK COFFEE collaboration begins with this first article.

“The perfect setting for a chat: coffee” this is the presentation of this blog in which thoughts, comments, suggestions are collected and reposted, as if each of us had our favourite cup to show along with our passions and life stories.

It seems to me a good opportunity to start with a presentation of the beginning of the path that led me to get in touch with this reality, whose motto is ‘the site that gives you this opportunity’.

It is not every day that one hears these words.

In fact, when I read them, I could hardly believe the beauty of the willingness to create reciprocity and collaboration.

So I sent a message via social pages to return my enthusiasm for the proposal and opportunity for reciprocity.

After a few messages of first acquaintance, here I am to tell you my ‘writer for home’ story.

It started with the purchase of a laptop on special offer back in the winter of 2012.

It all started like this…

…….

“Gian I bought a laptop, I’m bringing it all down”.

That’s how I announced my desire to put my personal stories into story form.

Not only to tell them, but also to make them a road to follow, experiences to propose, to share, to relive together, each in his own world, in his memories, on his own emotional tone.

I set out to write…

Three pages on the ‘little unaware heroes of baseball’, I sent them to various publishing houses that dealt with sports, sports culture, sports education.

Fabio Mancini of G. Danna of Florence, Edusport.it website, called me.

“Tommasini, we really liked your way of romanticising reality, can you send us the whole story, we would like to publish it on our site as article of the month and we would like to make a DVD on the teaching of baseball in the physical education class in high schools.”

What had I written?

I’m going to review the e-mail, “I send you the first three pages of my story Little Unknowing Heroes of Baseball, fifteen teenagers who, in 1976, having just celebrated their age entering double figures, they were introduced to the art of baseball and nothing was ever the same again.

I forgot to write that the pages were the first but also the only ones…

The story was still to be written.

But the whole story was required for the edusport.it site.

I found myself in the same condition in which I had to do my homework for the holidays.

So I set to work.

They published it on the site as the article of the month of July, and on 1 August it was reported by the FIBS – Italian Baseball and Softball Federation on the official federal site.

Various sites, online editorial offices, especially baseballmania, began to contact me, as if electrocuted by the story.

“Something ravishes, the words go deep, those who read them do not forget them, indeed it is as if they rewrote them in relation to their own experience and emotional state”.

My name is Giovanni Colantuono from Nettuno, editor of the online site Baseballmania.

“Tommasini you’re the first one to tell baseball like this, there’s everything in your story, not just the batting, there’s all of us, our passions, the way we live life and sport, I can publish it, tell me about yourself, I want to know more, I’ll do a feature article on you, write others, let’s do a column dedicated to Giovanni Tommasini’s baseball stories, on the Little Unknowing of the Tomato baseball club.”

A few days after my debut as a writer, for the first time I was referred to as such.

What is going on, and how is my way of narrating my personal events re-enacted in a narrative so intimate that it elicits reactions in the reader that are also deeply personal, which are in the reading translated into a universal language, whereby the reader sees himself again, relives parts of himself and his own experience?

The first comments from readers arrived.

They would be of the same tenor as the comments of my first proofreader, once I had collected all the stories that in three months were written by me almost compulsively and which, within a few weeks of publication on the sites that requested them, would go on to form my first book.

I notice a common denominator.

My words excite, my description of the realities returned touch the emotional side, “the text possesses the quality proper to works of art, it excites” is how my text is commented on during editing.

You use a glass mirror to see your face; you use works of art to see your soul.
George Bernard Shaw

I begin to wonder why this ‘effect’ as I think of my writing?

Why did I start writing, where did the urge come from, the need to express an experience of mine, what need moved my will, led me feverishly to the keyboard, as if there was nothing else to do.

If the world were clear, art would not exist.
Albert Camus

In THE ART OF BASEBALL, the proposal, the requirement, the starting point was:

The story of the experience of some fifteen children who, starting from the basement of a car park in the centre of spectacular Sanremo, at the ‘mercy’ of two passionate, visionary personalities, will live an ‘adult’ experience at a still tender age.

The need to emphasise the beauty and depth of an adventure that will change them forever and teach them the pleasure of doing something well, with passion, curiosity, without thinking about results, but only to be able to fully express themselves, get to know each other better, grow together.

The articulation of the broader concept of growing up having the good fortune to be involved in an adventure disproportionate to one’s age, and the great value of passion, curiosity, friendship, healthy craziness that will lead these children to live an experience that will give them an indelible formation and imprint for their entire lives.

The memory of those years, places, feelings experienced, contexts, humanity, lived will be the sub-concepts that allowed the articulation and restitution of the stories told in the tales that make up THE ART OF BASEBALL.

Among the stories, one in particular totally involved me and was written solely by involving my emotional being.

For some time now, the concept of ‘addiction’ had been reverberating in me, the memory of one of our teammates getting ‘pierced’, our living through this drama, not knowing what to do, hiding our suffering and love for our beloved teammate.

Linked to the concept of dependence was that of our helplessness, that of our being too small in the face of such a big issue, our emotions that we could not express, dominate, live.

Which exploded in our worst nightmares, fantasies, suffocated suffering.

It was all a mixture of these ‘themes’ and I could not understand how to describe, return all this humanity, so intensely felt by all in inaccessible depths.

I was in the supermarket queue and like a flash of lightning ripping through the sky and clouds the story came to me. All the concepts that had grown up until then only created unexploded ordnance in me.

It was shocking and in me it began to rain, thunder, hail.

Arriving home in a hurry, I stood at the keyboard weeping and in twenty minutes, as if overwhelmed by a real ‘storm’, I wrote the story….

Now in play.

I asked myself, what to do?

Enjoy this first unexpected, never planned, unthinkable until a few months before, book or try to write something else, and what?

And how?

Everyone asks me one thing. Write Cesare.

Your story with the autistic child you have lived with for fifteen years.

I decide to go ahead. To stay in the game.

The project of giving back my first experience as a home educator is born.

I begin to ask myself questions and catch a glimpse of the path already unconsciously taken in writing the stories of THE ART OF BASEBALL.

The first answer to be given.

In the future second book, I AM CESARE …., what is the ‘experience’ to be returned?

Thinking back to the good fortune of having experienced the relationship with Cesare, a child suffering from a severe form of autism, an urgent and pressing need arose in me to represent concepts deeply rooted in this extreme experience, well ingrained in me, but to be brought to the light of awareness.

The first step other than the first three pages…

Now I am beginning to plan the path, a method is emerging, making clear the starting points, the roots of the story, long before I get in touch with everything else, which is still unclear in me, but on this occasion I am beginning to ‘see’ in the slow construction of the book.

On this occasion there is no longer occasionality, but a real ‘constructive thought’.

An awareness.

Being a project and not an accident, I begin to truly understand whether it will be possible to put myself forward as a writer or leave it at that, considering it a fortunate experience, my narrative debut and nothing more.

Pinning down what I want to express regardless of the story I am going to give back.

Art does not reproduce the visible but makes visible.
Paul Klee

And here I am at the keyboard telling you about the beginning of my journey and why I call myself a writer.

And here I am at the keyboard telling you about the beginning of my journey and why I call myself a writer by chance.

In the next few articles, one by one, I will introduce you to all the books that grew out of those first three pages.

Because from that story born by chance, ten years later, this past August, my twelfth book came out…

Below is an introduction written by Antonella Giordano during an interview for the release of one of my books following those first three pages…



Giovanni Tommasin
i

He likes to describe himself as a ‘writer by chance’ Giovanni Tommasini, more precisely’Writer by chance’ since 2013. Surely he is not just any writer, judging by the resonance that all his books have achieved, whose narratives indiscriminately follow in the footsteps of social and civil themes, especially concerning the ‘building of a helping relationship’.

For Giovanni Tommasini, social commitment is not a casual mission. A native of Sanremese, born in 1966, after graduating in political science from the University of Genoa, he has dedicated his life to bringing help to society’s neediest contexts.

A registered professional educator and seminarian, initially working as a collaborator in neighbourhood family counselling centres as a home help, since 1994 he has been an educator in the day centres and family homes of the Genova Integrazione Cooperative, under the Anffas brand. His professional experiences gained in the field make him an authoritative voice for understanding the panorama of the ills that afflict the many social realities of our time.

In his seminars, he offers debates and workshops on autism, emotional writing, internet addiction, sports culture and the new generations. He is the author of several books, among which the essays “Dad will you connect me?”, “Virus is us”, “Emotions and words. Emotional Writing’.

No less important and intense are the fiction texts ‘The American Dream of the Tomato Baseball Club’ ‘The Musicality of Silence. Our autism and that of the world around us’, ‘A life without. A story of everyday resilience’, ‘The last letter to my first girlfriend’, ‘Beaten earth. Being alive and going down to the net, that’s happiness’.

In the summer of 2023, the latest publishing endeavours of this prolific author produced the books ‘Well-Tempered Panic’, ‘Cinema and Sport, 12 Unforgettable Films’ and ‘Opposite World’.

All of this prolific author’s publishing endeavours have been produced by him and published on Amazon.
Antonella Giordano.

Giovanni Tommasini  Stories of life lived in a forgotten world where the only social platforms were the Other and reality.

Blog: here.

Amazon: link.

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