BAGS: UNLIKELY CONTENTS

BAGS: UNLIKELY CONTENTS

Bags: unlikely contents. I’ve already joked about it  because you really can’t imagine what could come out of my bags.

But this time I found someone who beats me.

After ArtyCapucines, after the Bouncing bags and the bags of I sew so I don’t kill, about which I have already told you, after upcycling with Wicker bags, I point out the Snowman carrier!

And in particular Matsuzawa Yuko is the artisan who for Tsuchiya Kaban conceived and created the snowman bag!

The concept of 土屋 鞄 製造 所 【TSUCHIYA KABAN: In the mind of every conscientious leather bag craftsman is an imaginary drawer full of imaginative bag ideas that can be used to carry different things. By honing their skills and drawing on the knowledge they learn day by day, our artisans can bring design ideas into their minds.

It must be said that they managed to make it happen in an excellent way!

The snowman holder was born with this thought: Warmed by the steam rising from a bowl of hot soup on a cold morning, a quick glance out the window catches a drifting snowflake, white as cotton, the welcoming sight of the first snow is always a pleasant surprise. If only I could share with someone dear, the moment the first snow falls in the air …

And you, what would you like to keep in a bag?

HOUSE OF GUCCI

HOUSE OF GUCCI

The Gucci family has repeatedly dissociated itself from the portrait that the film portrays, and I will not go into the merits, but now I can finally say that Lady Gaga in the House of Gucci is truly credible, for the vision I had of it.

So, taking up the talk on Patrizia Reggiani, apparently Lady Germanotta’s decision not to meet her did not affect the interpretation, despite Reggiani being annoyed.

Obviously I observed clothes, accessories, and outfits in general, with particular interest both for Gucci pieces and for 80s looks, and I have to say that I enjoyed the work of costume designer Yanti Yates.

Very scrupulous work, starting from months of study in the archives of the Gucci maison.

In an interview with the New York Times,  available in full on Instagram, Yanti Yates stated that Lady Gaga was hugely involved, not least because she is a complete clotheshorse and looks marvelous in everything. She was hugely focused on how her character might appear at a particular moment, and had very strong views on aspects like hair and makeup.

But also difficult work, again according to the statements made during the interview: I would create initial selections, and then she would select from there.

Gaga selected.

It also seems that there have been days when for her it was “not today.”

Moreover, the same Gucci website reports as an iconic statement from Yanti Yates: “Lady Gaga told me that in this movie she wanted to dress like her Italian mom. To create her looks, I was able to draw on both her personal and historical Gucci archives.”

Like her Italian mom

How good does this sentence sound?

At the same time, however, I have this doubt that is spinning in my head, so help me understand if my perception is deceiving me since, actually, in the early 70s despite I wasn’t really in the world from longer (also now I am not, but this is a other story).

Unfortunately I could not find the image of the scene in which Maurizio Gucci introduces Patrizia to his father Rodolfo, but more or less the same goes for the floral dress in this picture.

Obviously I’m nobody to question the reconstruction, which in all other situations I have admired, and I stress it well, but the idea of this dress leaves me perplexed. I’m wrong, right?

I leave you this roundup of outfits.

In addition to the clothes, House of Gucci offers the vision of a fantastic series of precious “vintage” cars.

In particular, I really loved the way director Ridley Scott frames the arrivals at Rodolfo Gucci’s home: focused on the entrance. From the outside to the outside.

This shot occurs more than once in the movie, with different cars arriving in front of that entrance.

For me it was a sort of “story within history,” almost a symbol to mark the time.

In the picture below, with the same principle, in contrast we are witnessing a departure.

Which is also a beginning: the beginning of a strategy for Maurizio being back in the company.

For the rest, I refer you to the review by Matavitatau, me, a bit like Cruella, I really enjoyed the non-original soundtrack.

As for the floral dresses, I felt a sort of temporal disorientation that in some cases conquered me, in others it left me a kind of question mark.

For example, I liked the choice for George Michael’s Faith as soundtrack of the wedding scene: despite the anachronistic incongruity, it gave me a joyfulness that counterbalanced the void created by the absence of Maurizio’s family.

On the contrary, I was perplexed listening to Ritornerai by Bruno Lauzi as the background to the scene in which Aldo Gucci goes with Maurizio and Patrizia to the estate where their historic breeding is located. The song is wonderful, ça va sans dire, and the meaning is centered on returning to the origins, but for my personal perception it is as if something screeches.

Apart from that, I could list one song more beautiful than the other, and I would like to propose them all: Here comes the rain again by Eurythmics, Heart of glass by Blondie, Ashes to ashes by the White Duke David Bowie, Blue Monday by New Order, Una notte speciale by Alice, Sono bugiarda by Caterina Caselli, but also Largo al factotum from Il Barbiere di Siviglia by Rossini, Madame Butterfly and much more.

As you choose which one you prefer to listen to first, here are some coffees.

And… the final blessing.

IF YOU SEE HER:  THE EX MOTHER IN LAW WANTS THE POLO BACK

IF YOU SEE HER: THE EX MOTHER IN LAW WANTS THE POLO BACK

If you see her: the ex-mother-in-law wants the Polo back this is the writing above the photo, published on the Dutch blog GeenStijl, of the woman we have come to know as Sara LemLem.

This story dramatic at first is becoming bitter for the people involved, to whom all my respect goes.

I know, this is also extreme who cares news, but since the episode of Chi l’ha visto hasn’t aired, we can’t run out of updates, right?

And since it all started from Vigevano … you don’t care, do you ?!
Come on, now I’m telling laughing

For those who are not chilavister … briefly: in December the appeal for a woman who disappeared from Vigevano is released.

I know you will say “with the fog you have, where is the news?” 🙂

Joking aside, obviously the companion is very worried, even if, perhaps due to apprehension, his words at first seem strange.

In light of the incessant news about feminicide,  also considered that Mr. Corrado said that Sara left after a quarrel, he was asked questions about the nature and above all about the modalities of their quarrel, fearing the worst.

In the following days the searches are extended in every possible way, and the firefighters plumb the Naviglio Sforzesco and other city waterways, without any positive results.

But the diffusion of the photo, published on the website of Chi l’ha visto, bounces almost everywhere, and leads to a Dutch track that reveals a twist unexpected about Sara’s past.

Patrick, from Amstelveen, provides documents, photographs and also the complaint relating to the car of his mother, the ex-mother-in-law who wants the Polo back, which seem to leave no doubts.

The contact takes place through the editorial staff of the Informatore Vigevanese to which then Mr. Corrado tells more details about how he met Sara on a Belgian dating site, and about their trip to Italy.

Sara never wanted him to go to her flat claiming that it was in common with an Egyptian cousin, with whom she also collaborated on a working level.
Sara arrived at the meeting with all her luggage in a car that she left in a parking lot in Antwerp, saying that a friend of hers would have taken steps to recover it.
Sara told him she had lost all documents.

And I’m not even writing that, while doing research, I found Sara as an author, or more precisely as a Milanese videomaker of Eritrean and Ethiopian origins, but that the link leads to an even different identity: Sarita, because at this point it is not even important.

Thinking of people who disappear, where it does not turn out to be a terrible epilogue, one wonders HOW one can even travel without a trace …

Here, in this case the ex mother-in-law rightly wants the Polo back.

STYLISTIC SKIN

STYLISTIC SKIN

A few days ago, Antonio was talking about skin on his blog pointing out rightly how in the dialogues of the movie Free Guy skin was literally translated in Italian to the detriment of the real meaning of the term.

The Skins I would like to talk to you about are Costumes Fit for the Battle Royale mode of the Fornite video game signed by Demna Gvsalia  creative director of Balenciaga.

Digital fashion.

It is the first time that haute-couture colonizes a video game with its own brand, in this case it is a partnership between Balenciaga and Epic Games

Ramirez and Doggo among the iconic characters in the version of the luxury brand.

However, a real capsule is also associated with the digital outfits, available on the Balenciaga e-commerce site

The campaign for the presentation of the fruit of this unprecedented collaboration is called Strange times and also includes a photographic contest, or, better said, Fortographic.

 

The best photos posted on Twitter under #Fortography and #StrangeTimes or under the Strange Times post on Reddit will be included in the game.

Between reality and virtual, I throw a dream there: who knows that one day someone will post coffee photos for KCDC …

ARTYCAPUCINES

ARTYCAPUCINES

What does Artycapucines mean?

Rue des Capucines is the location of the first Louis Vuitton store in Paris.

The maison in 2013 to celebrate this successful debut which dates back to 1854, launched the Capucines bag.

In a short time Capucines became an iconic model.

Arty Capucines is the fusion of classic and art: six international artists personalize the bag expressing their completely unique creative flair.

On the website you can find photos, details and information from the 2020 edition. 

The next limited edition of 200 bags will be released in October but many previews are also circulating on the social profiles of artists such as Donna Huanca who defines it as a surreal experience

Among others, I cannot fail to pay particular attention to one name: Paola Pivi

Do you already know her 2007 performance One Cup of Cappuccino Then I Go

A photographic print belonging to the ACACIA collection by Gemma De Angelis, donated to the Museo del Novecento in 2015.

In case you’re wondering… yes: it’s a real leopard.

I admit my abysmal ignorance in terms of art, so maybe it’s better if I ask for help … Art and Cult Blog maybe will want to enlighten me.

Meanwhile, I remain on the topic of bags … this artistic performance was the inspiration for the Arty Capucines version curated by Paola Pivi.

The decoration in the shape of cappuccino cups, which a particular varnish makes similar to porcelain, is inserted using the inlay technique, while for the foam the leather, much softer, is embellished with gold leaf applications. Finally, the leopard is made with an overprinted embroidery to give an additional sensory dimension similar to fur.

Paola Pivi advises us to look into the pockets …

what will there be in your opinion?

GENOA JEANS

GENOA JEANS

I would like to point out the event that will be held from today until September 6: Genoa Jeans, a multifaceted and ambitious project that inaugurates the street of jeans.

Such an initiative could only take place in Genoa, the city that gave the name and origin to the most widespread and universal garment of all.

Genes blue.

Since we don’t pay attention to De Nimes, right? And not to bring out the usual rivalry with cousins from beyond the Alps … 

Curious to know what this “street of jeans” which is defined as the future Genoese Carnaby Street consists of, I found myself thinking about how jeans have changed from the first pair worn as a child to today.

So I tried to retrace the transformation of the models:
50s, Marylin, a myth

60s: B. B. embodies freedom

the symbolic image of the 70s is unquestionably represented by the flared jeans

that in the 80s tighten at the bottom and here there is not the slightest doubt: King Giorgio‘s high-waisted jeans. 
But I, who couldn’t afford them, loved the curled balloon version or alternatively with the basque.

ups and then downs? In the 90s the must was wide and long up to trample them …

in the 2000s life was lowered … until it almost disappeared

2010s we go back but the centimeters recovered disappear in width: skinny version

And now? Would you go on with quoting?
How many pairs do you own? How often do you wear jeans? Do you find that they can be suitable for all occasions?

Does your job include the possibility of wearing a pair of jeans or do you have a dress code? I think, for example, of when they were banned by Bush for White House collaborators.

Can you find them totally personal? I ask this because I find it singular even just the fact that there is a debate reported by the New York Times  according to which base FBI investigation on the uniqueness of the denim fabric worn by suspected criminals, since each pair has a unique wear pattern impossible to replicate in a completely identical way.

By the way, this is where the 501 was presented to us in a stone washed version.

But too much water has passed under the bridge so today the trend is directed towards those who instead promote eco-friendely behaviors such as Howies, Monkee Genes or even Mud Jeans which rents them for a monthly leasing fee that can last 12 months after which jeans are yours.

What do you think about?

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