MUSIC Archivi - Page 6 of 7 - Keep Calm and Drink Coffee

IN MILAN COFFEE IS IN HURRY, IN NAPLES WITH THE THREE C, AND WHAT ABOUT DUBLIN?

Jul 31, 2021 | ITALY, MUSIC, WORLD

This is Laura’s question, in comments on whether Dublin is the second most coffee-obsessed capital.

About Milan I would say that there are no doubts.
Everything is hectic, everything is running, everything is accelerated.

By the way, since we are on the subject, I would even like to point out the new dates for Milano Caffè: from the first to the third of October, hoping that this year the event will return to be a live party.

But Caffè in Milan is also one of the most significant expressions of the Italian Enlightenment. I refer to the newspaper founded by Pietro Verri which, as Treccani suggests, was printed in Brescia to escape Austrian censorship. Here you find the story.

Regarding the three C’s in Naples, I loved the way Laura told me about it, and I absolutely want to learn to absorb the “aroma” of this concept, which is also being together.

But since there is so much to say, I refer to a post dedicated to Al tavolo di Amalia just to share with you how nice it is to be in company, “at the table” of this blog which is a gold mine of information on Ischia and beyond.

I fell in love discovering traditions, real life stories, tales framed by the link with the sea and experiences of going back to origins.

So while I wait for the coffee at Amalia’s table to be ready as per the strict c c c rule, I try to answer Laura’s question: and what about Dublin?

A first answer can be found Tra Italia e Finlandia: where Luisella tells us about her experience with Dublin Pubs. I quote verbatim: pubs are known for being places where people go to drink ales, which makes them legendary, still you can find any beverage there: even coffee!

Going on with the research, since I told you about Trinity College, I got the crazy idea of asking Professor David Berman, starting from the base of his study on coffee habits illustrated in an interview on The Irish Times.

A beautiful exchange was born!
I will never stop thanking him properly.

Professor Berman first of all wanted me to talk to him about what coffee is for us in Italy.

So I would take this opportunity to ask you the same question in case you want to expose your personal idea.

And in the end we came to the conclusion that the Brew Smartly ranking has its foundation and reason to be, and reflects a change of habits especially in the last twenty years, compared to the classic beer or whiskey which represent a bit the immediate association of ideas when one thinks of Ireland.

It can therefore be concluded that it is not far from the truth to say that the Irish style has become more serious, more sober.

But the great thing is that from the considerations on the change, the question shifted to music!
No, I can’t explain how happy I am!

An example above all Clancy Brothers and Tommy Makem

In the case of music, however, evolution does not lead to something like coffee.

On the contrary, it passes through the painful period known in history as The Troubles, or the civil war for the autonomy of the population of Northern Ireland divided between Catholics and Protestants.

Obviously my first thought goes to Dolores but there are many musical masterpieces that can be mentioned:

should I stop?
Do you want to add something?

MORNINGS ARE FOR COFFEE AND CONTEMPLATION

Jul 13, 2021 | MOVIES, MUSIC, ROCK

Of course I couldn’t help but go crazy for this scene

David Harbor has a long filmography even if before Stranger Things probably many had that famous feeling of “I’ve seen him in which movie?”

Undoubtedly Hopper is a character!
And undoubtedly the step from Hopper to Alexei Shostakov aka Red Guardian is a bit of a caricature compared to the features that made Hop so loved.

Regarding Black Widow, I would especially mention the cover of Smells like teen spirit

And speaking of covers: David Harbor proposed American Pie in one of the opening scenes to give more emotionally engaging depth to his character.
Good job.

But most of all, I really enjoyed this visit to his Manhattan home

Books and books among which he was keen to show two copies of Don Quixote.

And then guitars, plants, and the memory of “Shakespeare in the park” in New York with Meryl as Juliet and Kevin Kline as Romeo I can’t believe I’ve been missing so far!

You knew it?
See here what I found! To me it’s like One-eyed Willy’s treasure!

To be explored ASAP !!!

CRUELLA: TEA AT REGENT’S PARK

Jun 22, 2021 | MOVIES, MUSIC, WOMEN

You can find the professional review here on the Matavitatau blog, I would like to have a chat, this time it goes well with tea, indeed tea at Regent’s Park.

And in particular I would like to talk about the soundtrack that I found fitting and that as far as I am concerned has absolutely underlined the whole vision giving an indisputable added value.

The original part was edited by Nicholas Britell. Jamie Fisher in the New York Times reports an interview with Barry Jenkins who describes him in detail . The phrase that struck me is “… there’s a slight Willy Wonka vibe to Britell in his studio” and I would say this is a good thing.

But then there is a whole long “repertoire” of quotes that to define “noteworthy” is absolutely reductive.

Time of the season: Estella arrives at the Liberty department stores, among other things some scenes were recorded in the real location.

Feeling good by Nina Simone: Estella is happy because the Baroness liked her window and wants her to work for her.

The Baroness. Emma Thompson. In fact she is a lot like Miranda Priestly but I preferred Charlotte from The boat that rocked.

On first viewing: when Emma / Charlotte arrives on the ship, the WOW effect for me was far greater.

You will tell me: and what does it have to do with it? Nothing, in truth.
But I found common elements such as the music, the period, the swinging London… and it seemed much more “baroness” Charlotte, but you always correct me if I’m wrong.

Indeed, I let myself be corrected directly by her who declared: “oh, it’s some of the greatest track of all time.I mean, I arrive to the sound of The Doors … which I never arrived to any cooler soundtrack.”

Staying on the look theme, I wondered how the choice of Florence + The machine was born given that Florence Welch herself highlighted her affinities: “I was always interested in clothes and fashion seemed like this outlet for creativity, dressing up, for me, has always been a sort of self-actualizing of the inner spirit. I feel like it’s a way of getting to wear the soul of you outside of yourself.”

Florence also reveals that she uses clothes as a kind of “armor” to protect herself as her career expands. Just like Cruella uses fashion.

Another great woman who made fashion, but above all made history: Debbie Harry with One way or another in fact, as I have already written, I repeat that we should take a leaf.

Just as the concept of These boots are made for walking by Nancy Sinatra always holds true, perhaps obviously necessary, in a positive sense of course.

Less predictable, however, are I love Paris by Georgia Gibbs and Peraphs, peraphs, peraphs by Doris Day.

The version of Whole lotta love by Tina Turner and Ike fits well I would say.
Even if I have to listen to the original again: among other things, it was recently voted as the song containing the best guitar riff ever.

And since we’re on the topic of rankings, I mention the Maneskin version of I wanna be your dog, keeping in mind that the BBC has published their “storming” in the English charts, which is a lot of stuff for how Italian music is generally considered.

I know, I’ve already gone a long way and haven’t even mentioned Stone Cold Crazy, Hush, or Sympathy for the devil. And I still would not have concluded, in fact it would take single dedicated posts because it is stronger than me: I don’t know how to be short

It is true that it was said that this would be tea instead of the usual coffee, but I force myself to leave room for your comments because I am very curious to know your preferences, even if Cruella would say: “I’m just getting started, darling. .. “

CASANOVA POP OPERA

May 26, 2021 | ITALY, MUSIC, SHOES

I came to this project in a completely unique way: on the contrary, as I always do, that is, starting from the bottom… actually from the shoes.

Following the industry news, I read that Politecnico Calzaturiero will make eighteenth-century style shoes for Casanova Pop Opera and I found it an initiative worthy of applause, considering the great opportunity given to the students.

We are in the District of the Riviera del Brenta: a highly specialized footweaar production area, made up of leading companies at the forefront of Made in Italy, also strong in a complete and integrated supply chain.

But let’s go back to Casanova, and this time maybe let’s start from the head: Red Canzian.

The first guitarist, then actually bassist, that I have known, I think, as a child, joined Pooh to replace Riccardo Fogli.
1973: they record the album Parsifal and from then on it’s history.

Red has always maintained a strong bond with his places of origin, even if very often the final syllable of his surname is pronounced with a not typically Venetian accent … I know something about it …
Seriously, it is no coincidence that his words “Veneto is a state of mind that cannot be told” ring true and heartfelt.

Veneto therefore, and above all Venice, precisely on the occasion of its glorious 1600 years.

Veneto. Venice. The scenes are entrusted to Massimo Checchetto artistic director of the 2020 Carnival.

Veneto again: Matteo Strukul.
Red speaks about his book

Have you ever read Giacomo Casanova, the sonata of broken hearts, or any of his other books?
Me unfortunately not, but I hope to remedy this shortcoming soon.

In the meantime, I would like to point out Sugarpulp: more than a blog, a real complete microcosm.

Lyrics by Miki Porru whose debut is linked to Red Canzian, and arrangements by Phil Mer who received his first drums from Red when he was 4 years old.

Directed by Emanuele Gamba, of whom I read about collaborations with Daniele Abbado so I would pass the word to Matavitatau in case he wants to give us his opinion.

The choreographies are entrusted to Roberto Carrozzino and Martina Nadalini who have already collaborated for Discoteque Machine after Martina’s great liberating gesture which remains the reason why she is mainly remembered and therefore I will not mention: her growth is visible not only as regards the known raven hairstyle.

They say they have already fallen in love for Casanova Pop Opera and are sure we will fall in love too.
I would say that the ingredients are there and the expectations too: in general I have a weakness for musical transpositions and this Casanova intrigued me, what do you think? Can we expect beauty?

“Praise the beautiful for their intelligence and the intelligent for their beauty.“
Giacomo Casanova

DINY DANCING

Jan 4, 2021 | MOVIES, MOVIES, MUSIC, MUSIC, TECHNOLOGY, TECHNOLOGY

I challenge anyone not to view the Dirty Dancing images as soon as The Contours’ Do you love me notes start.

Well, after seeing the Boston Dynamics video, for me the record is officially surpassed: I will never be able to forget these dancing robots

Don’t you find them absolutely engaging? Admit it: it is impossible to stand still.

We are not talking about computer graphics, so congratulations to the programmers: the couple of Atlas together with Spot and Handle move according to an inter-coordinated programming and to the beat of music.

Music that is certainly not a random choice … the text in fact speaks clearly:

You broke my heart

‘Cause I couldn’t dance

You didn’t even want me around

And now I’m back

To let you know

I can really shake ’em down

Do you love me?

(I can really move)

Do you love me?

(I’m in the groove)

Now do you love me?

(Do you love me)

Now that I can dance

(Dance)

So what about these Diny Dancers?

Tell me

A RIVEDER LE STELLE

Dec 13, 2020 | CULTURE, ITALY, MUSIC

This time I continue the previous post and I really hope you haven’t missed such an amazing show.

I had already seen Tosca last year, and in general I find that the opportunity to follow these events really has a relevant value.

This year the rehearsals of the planned Lucia di Lammermore had been interrupted as our lives continue to be interrupted in this period that we hope will end very soon, but the union of the work of various and prestigious excellences has meant that as in a magical blend what was created for me was a perfect alchemy.

I think about the Elective Affinities, I don’t know if you pass me this comparison that comes from my enthusiasm for the crescendo of citations that has composed a series of artistic sequences to leave you breathless.

For example, I found a moment that I would define perfect with Bizet’s Carmen when the music that I simply adore was combined with images to create a pictorial and suggestive effect with the added value of King Giorgio‘s dress.

Another very strong surprise: Davide Boosta Di Leo, who oversaw the part with the performance of Roberto Bolle.
I very much appreciate the contaminations in this sense.

And, as it turns out I have a particular weakness for quotes, characteristics for which while I was watching I felt like a child who finds many packages under the Christmas tree.