THE ROOM NEXT DOOR

THE ROOM NEXT DOOR

The Room Next Door is Pedro Almodòvar’s film that won the Golden Lion at the Venice Film Festival.

I went to the cinema with Monica thinking I would be moved but actually I got angry.

You can find the review on the blog Matavitatau and incredibly this time Nick was more lenient than me.

Of course: The room next door has a lovely part.

Everything concerned to the visual sphere represents perfection, starting with the colours used in a sublime as well as communicative way

In an interview, set designer Carlota Casado  mentioned Georgia O’Keeffe’s paintings among the references.

If you look at her paintings:
Oriental poppies
Ladder to the moon
Jiimson weed white flower

you can get a clear idea of the range of greens that I particularly admired.

The costumes, which we could call outfits, by Bina Daigeler are a riot of colour, style and quality.

Every single detail is meticulous, even I quote: ‘the coffee machines.’

The settings are fabulous: New York at its most magical and a house that represents the perfect blend of architecture and nature.

The set is Casa Szoke, designed by the Aranguren+Gallegos Arquitectos studio  near Madrid, in San Lorenzo de El Escorial, and located on the slopes of Mount Abantos in the forest of La Herrería

As if that were not enough, the furniture elements are well-known design pieces and the painting People in the sun by Edward Hopper becomes an integral part of the narrative as well as the visual.

And Almodòvar completes the representation of beauty by quoting James Joyce: The Dead from Dubliners

The snow falling faintly through the universe, and faintly falling, upon all the living and the dead.

The Room Next Door is Pedro Almodòvar’s first English-language film and his intention, I would say successful, was to make it as American as possible.

But then there is the verbose part, let me use the term, the dialogues in my opinion are that much excessive that they break the balance of everything else.

And there are a number of unfinished elements.

I will not go into the profile of the protagonist, nor into the euthanasia issue, because everyone is entitled to their own opinion.

But remaining on the mere portrayal of the illness and the physical and psychological suffering, perhaps because I have unfortunately experienced it from my side, I could not help but get nervous.

An exclusive death.

Real life, however, is quite different.

Did you enjoy it? Did you find the ending unsettling or inspiring?

WIKIPEDIA When the Internet is a matter of life and death

WIKIPEDIA When the Internet is a matter of life and death

WIKIPEDIA When the Internet is a matter of life and death.

The Power of Knowledge kills the Knowledge of Power.

A sentence, a play on words, the key to a dream.

Aaron Swarzt’s dream, the dream of those who believe in freedom.

Pietro Ratto in his book Wikipedia When the Internet is a matter of life and death meticulously reconstructs the birth, history and evolution of the online encyclopaedia we all know.

Wikipedia content is added by voluntary users who contribute information that is shared as creative commons.

The idea was born from a dream, and is fuelled by a strong need for freedom.

Wikipedia’s aim is to spread knowledge and make it available to everyone, free of charge and universally.

The Power of Knowledge.

Can the Power of Knowledge really kill the Knowledge of Power?

Power is influence, power is domination.

How far can a dream be magnified?

Pietro Ratto’s valuable investigation reports on all the stages and, above all, all the stories of those who have been dreamers, those who have been creators and those who have been powerful …

The bibliography, or rather the sitography is extensive and very detailed.

In addition, every single link published in the book is available for consultation from the site of Pietro Ratto BoscoCeduo

I am particularly grateful for the opportunity to hear Aaron Swartz’s story, which should be shared out of a sense of justice but also of freedom

Here is a video from 2007 in which Aaron talks about network communication.

Are you in the habit of consulting Wikipedia?

Have you ever contributed to the writing and publishing of information?

MY OPPONENT PLAYS TENNIS

MY OPPONENT PLAYS TENNIS

My opponent plays tennis is the prelude to the challenge that Fabrizio Canciani was forced to face.

These days tennis is the focus of media attention and everyone, sport people or not, follows it in some way, but I would like to tell you about this different tennis match.

Fabrizio Canciani is a writer and singer-songwriter, an exponent of that artistic Milan  that always gives a strong sense of belonging and the beauty of that side that retains its characteristic connotation while downplaying its cosmopolitan aspect.

Defined as ‘the cabaret artist lent to the crime novel‘ Fabrizio has staged, among others, the show Murders and songs, which is also a book.

La mia avversaria gioca a tennis

His books published by Todaro Editore  number seven, between 2004 and 2011, and then there are books with other publishers.

To describe Fabrizio in an immediate and effective manner, I will quote the words of introduction to one of his books:
I met Canciani in an underground club, very underground, more underground than club, in short, in the suburbs; where, at a time of great television noise, they were trying their hand at intelligent cabaret. Or not.
He is a good one, even when he writes. I highly recommend reading his detective story.
Or not.
Enzo Jannacci 

La mia avversaria gioca a tennis

Among the songs Fabrizio has written, I cannot fail to mention Nerazzuri siamo noi

Fabrizio also sang at the San Siro for the Scudetto celebration in 2007.

La mia avversaria gioca a tennis

Sure he also sung for the double star this year, but not on the pitch.

Because his opponent plays tennis.

Antonius Block, a noble Scandinavian knight, on his return from the Crusades in the Holy Land, finds death waiting for him on the beach. She would like to take him away but the knight decides to challenge her at chess. An unequal challenge, death knows a thousand tricks, he is invincible. He is only trying to buy a little time, just a little time. Just the length of a film: The Seventh Seal by Igmar Bergman.
I wasn’t coming back from any crusade, I detest crusades, even crosswords bore me.
I had my life.
And I liked it. In fact, I was going through a really happy time, which is not so obvious these days.
But one day, on my way home, I too found an adversary waiting for me, to challenge me. Not on the beach, in the kitchen, at dinner.
Death? No, worse, worse. In the meantime, death plays chess, you sit there nice and quiet, you move the pawns, you think about it, you cannot hope for luck but only for ingenuity, and if you sweat it is only because of the tension.
My opponent plays tennis …

Go on reading here

La mia avversaria gioca a tennis

THREE MILLION EUROS

THREE MILLION EUROS

Three million euros is the amount awarded as compensation for the 17 years spent in prison by an innocent man, one would wonder if this is the price of a depredation.

This is what I had written in recounting the Ilaria Alpi affair. 

But now unfortunately a further question must be added: Is three million euros the cause of Hashi Omar Hassan’s death?

According to the thesis bouncing around the various news outlets, the reason for the killing is precisely related to the compensation money.

But the Order of Journalists together with Usigrai and Federazione Nazionale Stampa Italiana, in union with all the associations participating in the #NoiNonArchiviamo campaign, 

have signed a writ of incorporation as offended parties to continue to demand the truth about the death of Ilaria Alpi and Miran Hrovatin.

Let’s take a step back: with the previous story, I had stopped with the compensation for the wrongful imprisonment of Hashi Omar Hassan. To summarize what happened next we can refer directly to his appeal published

on the Facebook page of Chi l’ha visto

Hashi Omar Hassan therefore asked for help so that he could find his family in Sweden and Somalia.

In Somalia, however, he found death, a violent death, just as violent was the death of Ilaria and Miran.

A bomb under the seat of his car in Mogadishu blasted him and the silence that like a dusting will fall back on the truth, beginning to cover it again with the blanket of time.

NOS GALAN GAEAF

NOS GALAN GAEAF

It means night of the winter calends and represents the fusion between the Celtic New Year Samhain and the pagan festival in honor of Pomona, the Roman goddess of fruits, which was celebrated at the end of the agricultural harvest period as thanks for the gifts received.

Symbolically a sort of moment of mingling between the world of the living and that of the dead as the idea of ​​death is in tune with the phase in which nature is extinguished, to rest during the winter.

The association with religious worship is a subsequent superposition of Pope Boniface IV in an attempt to convert the pagan festival by emphasizing the Christian faith and the celebration of the saints: All Saints.

So, in my humble opinion, about the judgments on the American version, it would be good if we knew our origins, and were more inclined to pass them on.

Personally I find that celebrating Halloween with the classic trick or treat is absolutely fun, and worth entertaining children and more, just because smiles never hurt.

Even more so in this 2020, making children and young people but also those who are differently young smile should be a need felt by anyone, and if it is not possible to go out masked, it does not mean that we should not even celebrate at home.

There are little things that can be prepared with minimal expense and less time.
Simple things to do together, such as cutting out paper bats to hang on the windows, or making the skull cake and mummy sausages.

What do you think of Halloween? Do you have any traditional habits or special recipes?

I would say that this time our coffee can be the Pumpkin Spice version Keep Calm: double ration of cinnamon laughing what do you say?

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