RONDÒ ARMANIANO

RONDÒ ARMANIANO

Rondò Armaniano is an imaginary dance composed of lines, lights and colors that gently vibrate, as if refracted through a prism.

The Giorgio Armani Privè spring summer 2023 collection is a luminescent fantasy in which the clothes dance and shine.

Just like the Rococo interiors of Venetian palazzos, it is the splendour of light, multiplied by extraordinary embroidery, that creates the most precious sensations.

Rondò Armaniano is a symphony of small, jewelled jackets, long skirts, fluid trousers and sheath dresses that create seductive silhouettes.

Gorgères and diamond motifs inspired by a painting of Harlequin take us straight to the Venice Carnival, but not only.

Everything is light, impalpable and glittering. The diamonds motif expands onto the catwalk, in a painting that becomes reality.

A reality that remains a dream for many, yet I consider it Art, and as such I simply admire it without feeling the desire to own it.

I find that every time Giorgio Armani offers us his fashion shows, we can all consider ourselves richer in beauty.

And as if by magic, again King Giorgio has managed to pay homage to something in my heart: in this case Venice

Luciana in her tag wrote me “Venice & Armani: a dream” perfectly describing my thoughts.

And, just to frame … the fashion show took place in Paris

I really liked this sequence of shots: little glimpses, angles, viewpoints.

Here, at this point I would like to ask you if you would also like to remember a place that inspires you for whatever reason.

I came across this quote by Haruki Murakami:
People leave traces of themselves where they feel most comfortable, most worthwhile.

Do you agree with that?

In my case, I would rather say that it is the place that leaves its imprint in me, but I am weird … how about you?

 

WAR OF THE WORLDS

WAR OF THE WORLDS

What time is the end of the world?
No, let’s start from the beginning: The War of the Worlds is a novel written by H. G. Wells, one of the forerunners of the science fiction genre, originally published in installments in 1897 on the Pearson’s Magazine in London.
First curious anecdote: HG Wells took in part inspiration from Giovanni Schiaparelli’s theories about Mars (and if you always read me remember our save the date 🙂 )
The astronomer and director of the Brera Astronomical Observatory in Milan observed some lines on the surface of the red planet, and hypothesized that they could be natural channels for the transport of water as they changed from one observation to another.
At this point there is another beautiful smile because what is one of the painful keys for all of us Italians? Knowledge of English!
Why do I say this? Because its natural channels were translated with the wrong term that distorted the theory by transforming them into artificial canals. Hence the assumption that they had been excavated by … Martians, precisely.
These famous “Martians” who populated the fantasies of many, embodying the most varied forms and descriptions, before being replaced by the most universal aliens.
These famous “Martians” who inspired Wells first and then Welles, Orson Welles.
Curious also this coincidence, one e above all and a patented invention separates them, another curious fact, always in 1897, always in London, and always by an Italian: Guglielmo Marconi.
Why do I switch to radio? Because in the meantime we arrive in 1938, and the radio is still the fledgling mass media and, exactly as it works today for the internet, it is seen as a form of potentially dangerous communication. It is seen as a vehicle of social mutation, for the rapid diffusion to the easy reach of a large number of people, and above all harmful to the publishing giants, worried about losing their income.
And precisely at CBS Orson Welles conducts The Mercury Theater on the Air: a program consisting of the narration of the great classics of literature, for the truth poorly paid and not much followed.
But Orson, at that time a Shakespearean actor, expresses his genius by using the program also to deal a blow to the system, deciding to cut the news in real time, and in view of the imminent Halloween, structures the Martian invasion described in the book like a real-time radio commentary.
It is in fact on October 30, 1938 when the reading of the opening words of The War of the Worlds is on air, interspersed with musical broadcasts, as usual, until an announcement interrupts the music and transposes the text setting it in the United States. With the help of screenwriter Howard Koch, completed with mock interviews with experts, imitations of press releases from the authorities, and sound effects to which Orson Welles pays special attention.
At the beginning and during the transmission it is clearly stated that it is the transposition of the novel, but many tune in at different times and the illusion effect created artfully succeeds perfectly.
It is said that a man called the New York Times to ask “what time is the end of the world?” to which the famous song written by Michael stipe of R.E.M. is inspired.
There is a chorus that supports the exaggeration of the estimates that count people running in the street, panic scenes, or hysteria, and I honestly don’t intend to dwell on the numbers, since, especially in this period, we everyday hear tragic counts.
In fact, in Grover’s Mills, New Jersey, there is a commemorative plaque with the following inscription:
On the evening of October 30, 1938 Orson Welles and The Mercury Theatre presented a dramatization of H.G. Wells The war of the worlds as adapted by Howard Koch. This was to become a landmark in broadcast history, provoking continuing thought about media responsibility, social psychology and civil defense. For a brief time as many as one million people throughout the country believed that Martians had invaded the earth, beginning with Grover’s Mill, New Jersey.
The important thing that Orson Welles has more or less voluntarily shown us is that people are led to believe rather unconditionally what is communicated to them by the mainstream mass media.
How many times have we heard “TV said it?”
How many care to check the news?
This time I went beyond coffee time, but today we can also indulge in chocolate, what do you say?
Now I conclude with the last strange coincidence: in The War of the Worlds the Martians are defeated by a virus.

TIME IS A VALUABLE THING

TIME IS A VALUABLE THING

I go on thanking for the comments and this time I take this opportunity to reply from here to Duncan Weick: this blog is a gift from my husband and the structure was developed by Zeus.
I try to write and use the images that I hope will make sense.
In this regard, I would like to take this opportunity to talk about inspiration: is there anything in particular that facilitates writing, or in general the creation of something that you are passionate about?
What does arouse a state of mind in you, thanks to which you can feel in the right mood, feel at peace with yourself, if not with the world?
My inspiration almost always comes from music.
Rock, to be exact.
Play it fuckin ‘loud!” as Bob Dylan taught us.
Power. For me, absolutely energy. But it is impossible to give a definition, to harness in a concept, to circumscribe in a description, because basically it is the absence of barriers.
An idea that clashes a lot with this particular moment in which we are actually “enclosed”.
This is why I thought of the phrase “time is a precious thing“: time is not precluded, indeed, now we could say that we have a perception of it dilated, at times perhaps impending.
Watch it fly by as the pendulum swings” continues Mike Shinoda when he sings in a crescendo that I perceive as a fantastic invitation to shout.
The magic of some songs is precisely eclecticism, and the power to adapt multifaceted to multiple visions and situations, and in this case too, obviously the interpretations are different.
Personally, my favorite one is relevant to the awareness of time. Concept in turn not entirely universal in the sense that its perception is variable according to the point of view, but more generally, I consider the pendulum symbol linked to the most modern society.
Now that pendulum is particularly dominating all of us who are stopped, and who should make serious and necessary reflections, I believe.
But without going to talk about atomization, I would remain in the simplicity of our cup: will your conception of time change from now on?
Or … in the end, it doesn’t even matter?

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