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HERON’S FORMULA ON THE LITERARY PORTAL

Dec 10, 2022 | LA FORMULA DI ERONE

Heron’s Formula on Mari’s Manual literary portal.

I have in my heart three feelings with which one can never be bored: sadness, love and gratitude.
Alexandre Dumas

I sincerely thank Mari’s Manual for welcoming me on their literary portal.

Now Heron’s Formula is also here, as well as part of the Book Fair Gallery.

I can only say that I am extremely honored and I steal the words from the song: I think I feel CONFUSED AND HAPPY 🎶

In case you are not yet familiar with Mari’s Manual, you find the essence in the slogan: Poetry and Literature in the Seas of the Web.

I find the seas of the web to be a beautiful definition: aren’t we all virtual sailors?

Indeed, I would say better virtual sailors and dreamers.

Traveling the length and breadth of the world I have met magnificent dreamers, men and women who stubbornly believe in dreams. They keep them, cultivate them, share them, multiply them. I humbly, in my own way, did the same.
Luis Sepúlveda

So Heron’s Formula on Mari’s Handbook literary portal for me is first and foremost a dream, but I hope it can also be a journey that will lead me to the possibility of learning, discovering and sharing.

A RIVEDER LE STELLE

Dec 13, 2020 | CULTURE, ITALY, MUSIC

This time I continue the previous post and I really hope you haven’t missed such an amazing show.

I had already seen Tosca last year, and in general I find that the opportunity to follow these events really has a relevant value.

This year the rehearsals of the planned Lucia di Lammermore had been interrupted as our lives continue to be interrupted in this period that we hope will end very soon, but the union of the work of various and prestigious excellences has meant that as in a magical blend what was created for me was a perfect alchemy.

I think about the Elective Affinities, I don’t know if you pass me this comparison that comes from my enthusiasm for the crescendo of citations that has composed a series of artistic sequences to leave you breathless.

For example, I found a moment that I would define perfect with Bizet’s Carmen when the music that I simply adore was combined with images to create a pictorial and suggestive effect with the added value of King Giorgio‘s dress.

Another very strong surprise: Davide Boosta Di Leo, who oversaw the part with the performance of Roberto Bolle.
I very much appreciate the contaminations in this sense.

And, as it turns out I have a particular weakness for quotes, characteristics for which while I was watching I felt like a child who finds many packages under the Christmas tree.