THOUGHTS AT THE WINDOW

THOUGHTS AT THE WINDOW

Today the window of the Advent calendar  gives us thoughts … or rather: the story is from the blog Thoughts at the window

The author is Martina, who tells of herself having worked for a few years in the press office in “The devil wears Prada” conditions … and the thought goes straight away a Is there some reason that my coffee isn’t here? Did she die or something? 

Martina, like Andy, leave her “Miranda” and becomes a primary school teacher, a job that I envy her very much, of course with all the understanding of what it is certainly not a fairy tale.

My primary school teacher is called Virginia and I respect her infinitely. She was a teacher, but also a mother and a great example of Woman.

I still remember the chores for Christmas, the decorations in the classroom and the magical atmosphere of childhood.

And I advise you to go and read the atmosphere that Martina literally painted with the words in her contribution:
Today I was walking through the decorated streets of the neighborhood. Roads that in this season I travel little, too busy by car, not useful if you don’t live there, outside of the daily journey. I went there with the dog, remembering when I wanted her, the doggo on here

C’ERO ANCH’IO SU QUEL TRENO – THERE WAS ME ON THAT TRAIN TOO

C’ERO ANCH’IO SU QUEL TRENO – THERE WAS ME ON THAT TRAIN TOO

In thanking Giovanni Rinaldi once again, I am happy to tell you about his new book There was me on that train too  The true story of the children who united Italy published by Solferino.

There was me on that train too is published exactly twelve years after Happiness trains, years during which Giovanni Rinaldi never interrupted his historical research which, with his tireless human commitment, has turned into a real mission to bring together the protagonists of a chain of wonderful solidarity.

In the post-war years, thousands of children were hosted by generous families who pledged to offer them what they had been deprived of for various reasons, welcoming them and treating them as their own children.

Giovanni Rinaldi’s essay starts from the tragic consequences of a strike in San Severo in 1950 following which more than a hundred people were arrested: mothers, fathers, leaving many children in the middle of a street.

A song recorded by Giovanni begins like this

The venditré of March

Succèsse ‘na rruìna …

I know, I have already written it, but for me the dialect, as well as the oral tradition, are an absolute heritage that, if it were not for people like Giovanni, we would lose.

And instead with his persevering efforts, Giovanni continues in the collection of testimonies that extends to children forced to work in Naples, to children who survived the bombing of Cassino, and to many other cases in which conditions of extreme difficulty have made the help to parents providential, since they were unable to support them.

The organization, transfers, communications between families of origin and host families took place at the initiative of the Communist Party but in particular by the UDI: Unione Donne Italiane.

In this regard, with my love for Christmas, I read with particular emotion the part in which Ida tells of her commitment to collect from various shopkeepers, the necessary to make a Tree set up with candies, biscuits and gifts.

The magic, however, breaks to the point where Ida remembers how the secretary, annoyed at this initiative of hers, even scolded her with a slap …

Women.

Women and Mothers who weave their lives in function of the good for the children, managing to put themselves in each other’s shoes, understanding, working, sacrificing.

I particularly want to remember with affection Americo to which I am grateful for the great teaching on maternal love that he has given me.

The letter from Umberto’s mother is also enchanting:

The hearts of us mothers of the tormented Frosinone greet all of you who come to meet us, and we greet this beautiful work organized by our Communist Party.

I hope to receive more news, and if the Lord will provide me before Umberto returns I will come to see you.

Not that words to thank her for what you are doing for my son, but may the Lord give you back all the good you deserve …

She thanks the party and hopes in the Lord and yet I find no contradiction, on the contrary I admire the wonderful coexistence of thoughts that have the heart as a common denominator.

Heart that I found on every page.

Among the chapters of There was me on that train too, dedicated to each of the children he managed to track down, Giovanni Rinaldi tells us how he managed to trace the families who offered generous hospitality, starting from fragments of memories, names often lacking of references, photographs of a very distant time.

A meticulous work but above all a strong sensitivity combined with the noble intent to realize the desire for reunification of these people who life has inevitably led to distance themselves.

I don’t know if you were able to follow the interview on Rai Uno, otherwise you can retrieve it here at approximately 1 hour and 1 minute.

I advise you to see him to realize how Giovanni’s attitude towards the people he met is: while Severino and Diego tell their experience, he observes them with a smile that says more than any word.

And this is the feeling of extreme respect that runs throughout the book. Giovanni himself tells us that “these elderly gentlemen, when they speak, are the children of the time who tell … and it is also a therapy: going back to those moments means bringing out both the traumas and the joys.”

On tiptoe listening first.

And as much as Giovanni acts as a channel that allows memories and stories to flow that are faithfully reported, he also gives us descriptions of the context so precise as to make us feel transported to the same place, enveloped by the suggestion that the scope of enormous loads of emotions encloses.

I conclude by leaving you this beautiful metaphor about Benedict:

opens the door: a beam of light illuminates the darkness. Outside and inside, as on a border, they all remain still, suspended ...

ITALIAN YARDS IN TBILISI

ITALIAN YARDS IN TBILISI

Lela is teaching me a lot about her country and their traditions, topics almost unknown to me up to now.

A few days ago it happened that she tagged me in a very funny tweet that can only make you smile, but even then I learned something.

Did you know that the courtyards of old Tbilisi are known as Italian Yards?

Italian courtyards.
I find it simply fantastic!

So, now fascinated by this thing, I started looking for information.

The result was an exploration in the literal sense since obviously the institutional sites are written in the Georgian alphabet.
Which by the way is composed of three systems: Mrgvlovani, Nuskhuri and Mkhedruli and has very ancient origins.

 

Oriental languages, my always dream.

Lela, you know it, indeed sorry again for the question of the pending books, and always correct me if I’m wrong, but I have the hope of being able to slowly learn a minimum of these characters that I find harmonious, almost as if they were able to communicate to me a sort of melody together with the words.

It is no coincidence that the three writing systems of the Georgian alphabet have become UNESCO heritage.

But let’s go back to the courtyards!

First I would tell you to look at the photo of this tweet because it looks like a painting.

So far I honestly have not found an immediate resemblance to the courtyards we are used to seeing.

But I found a first explanation here:
people often name this type of courtyards ‘Italian’, but it were rather Persian caravanserais which influenced to Georgian tradition structure of houses. Unlike the both of them mostly square shaped and surrounded by solid stone arcades, the Georgian ones will impress you by unpredictable shapes, light and elegant wooden arcades richly decorated by carving with unique combination of Classicist and Oriental motifs; crazy combination of numerous superstructures, overhanging bridges connecting houses , spiral staircases, glazed loggias, patches of various materials used during renovations, picturesque bunches of pipes and wires, riot of greenery (thanks to the wet Georgian climate) the effect is breathtaking.

And I would say that we are all in agreement on the breathtaking effect.

Here there is a series of photos by Ksenia Vysotskaya to reconfirm of the intrinsic beauty that transmits life lived at first glance.

Having established that the splendor is undisputed, however, it remains to be discovered how the parallel with the Italian courtyards arises.

Ask any Tbilisi local, however, and they’ll tell you the city’s much-loved architectural treasures are its charming “Italian” courtyards. What makes them “Italian” has less to do with the architectural style than the relaxed way of life that flourishes between its wooden facades. “There is a lot talking, arguing, gossiping that happens here. Georgians are very emotional, just like Italians.”

So it’s not about aesthetics but about essence!
What unites us is the way of life, isn’t it wonderful?

And it reports exactly to Lela’s tweet.

By a curious coincidence these days commenting on “the consolation of the willow” by OREAROVESCIO I found myself remembering the courtyard of my childhood.

The speech then continued with the memory of Bianca also on her blog

So I’d like to continue with memories but also anecdotes of the present: how do you live or how do you see Italian courtyards?

A DIVE INTO THE 80’S WITH HEART EYES

A DIVE INTO THE 80’S WITH HEART EYES

I will also be biased, you know by now, but don’t miss this Emporio Armani fashion show!

Once again the fashion week remains under the banner of phygital but King Giorgio gives us a trip to the fabulous 80s complete with tunnels and fluorescent paths!

I looked at everything with heartfelt eyes: the wide high-waisted trousers, the short jackets, the suspenders (do you remember the use also as a martingale?) And then the black velvet, the textured fabrics, the purple, the rows of buttons, white shirts, herringbone, padded shoulders

My gray is inevitable in many variations, one more beautiful than the other! And I also loved the texture and warmth of the fabrics: something that can give a feeling of soft and snug fit, a cuddle, if you like.

Maybe even with a hint of athflow

So here I am for the umpteenth time grateful for the show: beauty to see, but also beauty as a means of transport. Sure, you can’t travel in space, but you can travel in memories.

What about the 80s? Have you lived them? Did you love them?

ON-BOARD DIARY FROM THE RED ZONE LOCKDOWN DAY 1

ON-BOARD DIARY FROM THE RED ZONE LOCKDOWN DAY 1

The sensation that is perceived is perhaps comparable to when you are in the last cone of light before entering the tunnel.

The lighting inside is annoying because there are no lights but intermittent glare.

The main feature is in fact these regular intervals, with almost telegraphic interruptions, at the end of which the monotone litany of any type of communication or information on the TV resumes.

I don’t know about you, but I have begun to hate some words that are adopted as mantras.

And instead of rainbows now only dividing colors remain: the colors of zones.

Personally I feel the need for my refuge: music and therefore I would say that the perfect song for today is The Resistance by Muse.

Starting from the cover, which to stay on the subject of colors, represents them in a psychedelic vision.
It is no coincidence that it was judged the best of the year 2009.

To continue with the multiple meanings contained in words, texts, metaphors, such as the fact that The Resistance represents a reference to 1984 by George Orwell, which Matthew Bellamy was inspired by.

 

The passage that directly quotes Eurasia is another, but in reality The Resistance itself evokes a lot of Winston and Julia forced into hiding so as not to be discovered by the Party.

Returning to United States of Eurasia instead, for many it represents plagiarism rather than a quote from Bohemian Rapsody, what do you think?

Also according to the detractors, who do not even like the ghost track Collateral Damage with the sonata Notturno n. 9 by Chopin, the influences that are heard are many and referable to a sort of musical pot pourri.

Did you notice them on first listen?
What impressions does this Muse work leave you?
Do you find the atmosphere of 1984?

Although it is a classic, I, as usual, have read it very late, that is “ahead in the years” and therefore it may be that my way of perceiving it has been influenced.

1984, as is known, is obtained by inverting the digits of the year in which it was written: 1948.

A curious coincidence: 1984 was an important year in my life, a year of change, a year of which I remember much more than other particular memories and I keep memories.

On the other hand, I am not as inclined to identify the current context with as much affection.
The downward curve towards the points where Orwell’s dystopian vision aligns with reality is accentuated more and more evidently.

A bit like the famous ball on the inclined plane, although I would like to continue to hope for a decline, albeit sadly obvious, at least not as accelerated and irreversible because, to return to The Resistance:
If we live our life in fear” …

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