LETTERS TO THE PAST

LETTERS TO THE PAST

In a week it will be Christmas, but what Christmas will it be?

This thought carries the nostalgia of memories that flow as if in slow motion.

If I could write a letter to me from 1979 I would tell myself to be overjoyed because the coming years will be an explosion of life, colors, sounds, emotions.
And I would tell myself to learn The logical song well, because one day unfortunately the meaning will appear in all its clarity.

If I could write a letter to me in 1989, I would tell myself that that was the first of thirty-two years of work that I will like but that I have to follow the desire to study and expect more for myself.
And I would tell myself to fight so that, just like in Berlin, all the walls are torn down.

If I could write a letter to me from 1999 I would tell myself that this whole idea of the 2000s is just a big soap bubble and that the upcoming future is wearing a mask that hides the regress.
And I would tell myself that there’s a difference between knowing the path and walking the path

If I could write a letter to me from 2009 I would tell myself that the crisis is not about to end and to be prepared to experience the recession.
And I would tell myself that The Resistance  isn’t just the best rock album.

If I could write a letter to me in 2019, I would tell myself to live every single minute with the awareness of the enormous value of simple moments that, however trivial, will change.
And I would tell myself that things are about to happen that I would never have believed.

But the worst fires burn intangible realities.

THOUGHTS AT THE WINDOW

THOUGHTS AT THE WINDOW

Today the window of the Advent calendar  gives us thoughts … or rather: the story is from the blog Thoughts at the window

The author is Martina, who tells of herself having worked for a few years in the press office in “The devil wears Prada” conditions … and the thought goes straight away a Is there some reason that my coffee isn’t here? Did she die or something? 

Martina, like Andy, leave her “Miranda” and becomes a primary school teacher, a job that I envy her very much, of course with all the understanding of what it is certainly not a fairy tale.

My primary school teacher is called Virginia and I respect her infinitely. She was a teacher, but also a mother and a great example of Woman.

I still remember the chores for Christmas, the decorations in the classroom and the magical atmosphere of childhood.

And I advise you to go and read the atmosphere that Martina literally painted with the words in her contribution:
Today I was walking through the decorated streets of the neighborhood. Roads that in this season I travel little, too busy by car, not useful if you don’t live there, outside of the daily journey. I went there with the dog, remembering when I wanted her, the doggo on here

C’ERO ANCH’IO SU QUEL TRENO – THERE WAS ME ON THAT TRAIN TOO

C’ERO ANCH’IO SU QUEL TRENO – THERE WAS ME ON THAT TRAIN TOO

In thanking Giovanni Rinaldi once again, I am happy to tell you about his new book There was me on that train too  The true story of the children who united Italy published by Solferino.

There was me on that train too is published exactly twelve years after Happiness trains, years during which Giovanni Rinaldi never interrupted his historical research which, with his tireless human commitment, has turned into a real mission to bring together the protagonists of a chain of wonderful solidarity.

In the post-war years, thousands of children were hosted by generous families who pledged to offer them what they had been deprived of for various reasons, welcoming them and treating them as their own children.

Giovanni Rinaldi’s essay starts from the tragic consequences of a strike in San Severo in 1950 following which more than a hundred people were arrested: mothers, fathers, leaving many children in the middle of a street.

A song recorded by Giovanni begins like this

The venditré of March

Succèsse ‘na rruìna …

I know, I have already written it, but for me the dialect, as well as the oral tradition, are an absolute heritage that, if it were not for people like Giovanni, we would lose.

And instead with his persevering efforts, Giovanni continues in the collection of testimonies that extends to children forced to work in Naples, to children who survived the bombing of Cassino, and to many other cases in which conditions of extreme difficulty have made the help to parents providential, since they were unable to support them.

The organization, transfers, communications between families of origin and host families took place at the initiative of the Communist Party but in particular by the UDI: Unione Donne Italiane.

In this regard, with my love for Christmas, I read with particular emotion the part in which Ida tells of her commitment to collect from various shopkeepers, the necessary to make a Tree set up with candies, biscuits and gifts.

The magic, however, breaks to the point where Ida remembers how the secretary, annoyed at this initiative of hers, even scolded her with a slap …

Women.

Women and Mothers who weave their lives in function of the good for the children, managing to put themselves in each other’s shoes, understanding, working, sacrificing.

I particularly want to remember with affection Americo to which I am grateful for the great teaching on maternal love that he has given me.

The letter from Umberto’s mother is also enchanting:

The hearts of us mothers of the tormented Frosinone greet all of you who come to meet us, and we greet this beautiful work organized by our Communist Party.

I hope to receive more news, and if the Lord will provide me before Umberto returns I will come to see you.

Not that words to thank her for what you are doing for my son, but may the Lord give you back all the good you deserve …

She thanks the party and hopes in the Lord and yet I find no contradiction, on the contrary I admire the wonderful coexistence of thoughts that have the heart as a common denominator.

Heart that I found on every page.

Among the chapters of There was me on that train too, dedicated to each of the children he managed to track down, Giovanni Rinaldi tells us how he managed to trace the families who offered generous hospitality, starting from fragments of memories, names often lacking of references, photographs of a very distant time.

A meticulous work but above all a strong sensitivity combined with the noble intent to realize the desire for reunification of these people who life has inevitably led to distance themselves.

I don’t know if you were able to follow the interview on Rai Uno, otherwise you can retrieve it here at approximately 1 hour and 1 minute.

I advise you to see him to realize how Giovanni’s attitude towards the people he met is: while Severino and Diego tell their experience, he observes them with a smile that says more than any word.

And this is the feeling of extreme respect that runs throughout the book. Giovanni himself tells us that “these elderly gentlemen, when they speak, are the children of the time who tell … and it is also a therapy: going back to those moments means bringing out both the traumas and the joys.”

On tiptoe listening first.

And as much as Giovanni acts as a channel that allows memories and stories to flow that are faithfully reported, he also gives us descriptions of the context so precise as to make us feel transported to the same place, enveloped by the suggestion that the scope of enormous loads of emotions encloses.

I conclude by leaving you this beautiful metaphor about Benedict:

opens the door: a beam of light illuminates the darkness. Outside and inside, as on a border, they all remain still, suspended ...

ITALIAN YARDS IN TBILISI

ITALIAN YARDS IN TBILISI

Lela is teaching me a lot about her country and their traditions, topics almost unknown to me up to now.

A few days ago it happened that she tagged me in a very funny tweet that can only make you smile, but even then I learned something.

Did you know that the courtyards of old Tbilisi are known as Italian Yards?

Italian courtyards.
I find it simply fantastic!

So, now fascinated by this thing, I started looking for information.

The result was an exploration in the literal sense since obviously the institutional sites are written in the Georgian alphabet.
Which by the way is composed of three systems: Mrgvlovani, Nuskhuri and Mkhedruli and has very ancient origins.

 

Oriental languages, my always dream.

Lela, you know it, indeed sorry again for the question of the pending books, and always correct me if I’m wrong, but I have the hope of being able to slowly learn a minimum of these characters that I find harmonious, almost as if they were able to communicate to me a sort of melody together with the words.

It is no coincidence that the three writing systems of the Georgian alphabet have become UNESCO heritage.

But let’s go back to the courtyards!

First I would tell you to look at the photo of this tweet because it looks like a painting.

So far I honestly have not found an immediate resemblance to the courtyards we are used to seeing.

But I found a first explanation here:
people often name this type of courtyards ‘Italian’, but it were rather Persian caravanserais which influenced to Georgian tradition structure of houses. Unlike the both of them mostly square shaped and surrounded by solid stone arcades, the Georgian ones will impress you by unpredictable shapes, light and elegant wooden arcades richly decorated by carving with unique combination of Classicist and Oriental motifs; crazy combination of numerous superstructures, overhanging bridges connecting houses , spiral staircases, glazed loggias, patches of various materials used during renovations, picturesque bunches of pipes and wires, riot of greenery (thanks to the wet Georgian climate) the effect is breathtaking.

And I would say that we are all in agreement on the breathtaking effect.

Here there is a series of photos by Ksenia Vysotskaya to reconfirm of the intrinsic beauty that transmits life lived at first glance.

Having established that the splendor is undisputed, however, it remains to be discovered how the parallel with the Italian courtyards arises.

Ask any Tbilisi local, however, and they’ll tell you the city’s much-loved architectural treasures are its charming “Italian” courtyards. What makes them “Italian” has less to do with the architectural style than the relaxed way of life that flourishes between its wooden facades. “There is a lot talking, arguing, gossiping that happens here. Georgians are very emotional, just like Italians.”

So it’s not about aesthetics but about essence!
What unites us is the way of life, isn’t it wonderful?

And it reports exactly to Lela’s tweet.

By a curious coincidence these days commenting on “the consolation of the willow” by OREAROVESCIO I found myself remembering the courtyard of my childhood.

The speech then continued with the memory of Bianca also on her blog

So I’d like to continue with memories but also anecdotes of the present: how do you live or how do you see Italian courtyards?

A DIVE INTO THE 80’S WITH HEART EYES

A DIVE INTO THE 80’S WITH HEART EYES

I will also be biased, you know by now, but don’t miss this Emporio Armani fashion show!

Once again the fashion week remains under the banner of phygital but King Giorgio gives us a trip to the fabulous 80s complete with tunnels and fluorescent paths!

I looked at everything with heartfelt eyes: the wide high-waisted trousers, the short jackets, the suspenders (do you remember the use also as a martingale?) And then the black velvet, the textured fabrics, the purple, the rows of buttons, white shirts, herringbone, padded shoulders

My gray is inevitable in many variations, one more beautiful than the other! And I also loved the texture and warmth of the fabrics: something that can give a feeling of soft and snug fit, a cuddle, if you like.

Maybe even with a hint of athflow

So here I am for the umpteenth time grateful for the show: beauty to see, but also beauty as a means of transport. Sure, you can’t travel in space, but you can travel in memories.

What about the 80s? Have you lived them? Did you love them?

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