HO CHIUSO CON TE – I’M DONE WITH YOU

HO CHIUSO CON TE – I’M DONE WITH YOU

Ho chiuso con te, Guida Editori is the book for which I would like to thank Manuale di Mari  and the author: Emanuela Esposito Amato.

Ho chiuso con te is a sentence that immediately leads us to think of something peremptory, of an unhappy and angry epilogue, yet the book opens up many reflections.

The first ‘reflection’ is literally a mirror image: the book’s protagonists are twins bound by a promise.

Two sisters, one thing.

One thing just like the two opposing sides of the same soul: good and evil, Yin and Yang, Motown and Metal.

Do you also have an inside-out juxtaposition?

Escher comes to mind. 

 

Maurits Cornelis Escher, Bond of Union, April 1956. Lithograph, 25.3×33.9 cm, The Netherlands, Escher Foundation Collection All M.C. Escher works © 2021 The M.C. Escher Company The Netherlands. All rights reserved

We are wrong when we believe we are in truth and vice versa.
Thomas Bernhard

On the subject of what is true, the author, before telling the story, quotes a sentence by Oscar Wilde:

 

Is it really so? Do you feel yourself always and everywhere?

Is there a person in the world who really knows you to the core?

Emanuela Esposito Amato who is currently participating in The international book fair in Turin, dedicated the book to his brother.

His dedication immediately put me on his wavelength because I also think that ‘my’ brother is a BIG brother.

Do you have brothers or sisters? What kind of bond do you have, if you don’t mind me asking?

Very often there are stories of brotherly misunderstandings, quarrels, break-ups … of ‘I’m done with you.’

But will this really be the focus of the book?

I leave it to the reader to find out.

A MONUMENT TO REMEMBER

A MONUMENT TO REMEMBER

A monument to remember, or a monument that must be kept in mind every day is the final sentence of what I could never simply define “comment” that Nick from Matavitatau generously wrote about the Weimar Republic

In case you haven’t read it, I strongly advise you not to lose it: you can find it here

Among other things, he also restored confidence to Massimo since I had wandered a lot from his idea laughing

I absolutely agree with the concept of a monument as something that tells us not to forget what has been, since too often we do not take into account the importance of the lessons we could draw from what has already happened.

Instead we fall back.

Life, one would say, is made up of relapses and even death must be a kind of relapse.
Samuel Beckett

Of course we could work on how to get to this “final relapse” … or not?

Yet we persevere in being naively seized by the drifts that drag us too easily into the undertow of the historical ebbs, which rather resemble refluxes, which evil regurgitates after having eaten with impunity.

I quote again: the Weimar Republic remains there as a gigantic warning to “how it was” and to “how it is good that it never again is:” studying it is like seeing ourselves in the mirror, today that democracy is in such danger precisely due to new famines and new racisms.

So why don’t we want to look honestly in the mirror?

If nothing else, at least the unconscious could register what we don’t want to see, even Profondo Rosso teaches us this.

 

Can it then be said that we consciously refuse to see or unconsciously shun the evidence before our eyes?

Now I digress again, I know, but bouncing from mirror to mirror I came across a research by Professor Giovanni Battista Caputo from University of Urbino,  renamed as Caputo effect, do you already know it?

It is based on visual illusion: the professor recorded the reactions of a sample of fifty people who were asked to observe their own image reflected in the mirror for ten consecutive minutes.

The mirror was placed inside a room illuminated only by the light of a lamp positioned so that its light remained behind the observer’s field of vision and could not be reflected.

The results demonstrated distorted views and in particular: most testified that they saw distortions on their face.

Some people have seen the face of a parent, in some cases deceased.

Other unknown faces, animals or even monstrous beings.

Do you think we could try too?

I mostly considered the idea as a metaphor.

In your opinion, what role does the lamp play?

How can we better enlighten to see in the mirror?

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