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We already talked about The Children’s Train when I read Viola Ardone’s book published by Einaudi.
But above all, we talked about The Children’s Train when I read the book Happiness trains by Giovanni Rinaldi.
I became fond of Giovanni Rinaldi’s research work and his subsequent There was me on that train too and with words I travelled through the stories of many children, many families, many people who today still witness the beauty of solidarity through eyes that have seen the train of life run and through words that have much to teach us.
A discovery, a gift, which has brought us the privilege of the direct testimony of Americo Marino.
Americo, not Amerigo, I am not mistaken: the real name of the man we knew as the protagonist of Einaudi or The Children’s train Netflix, played by Christian Cervone and Stefano Accorsi is Americo.
And if in some interviews Viola Ardone recognised Derna, Pachiochia or Maddalena as real characters, officially Americo remains a fictional character, despite the fact that significant elements such as his shoes, to name one, come from his direct testimony.
This is why I could not miss seeing The Children’s train Netflix directed by Cristina Comencini and produced by Palomar.
The film was presented at the Rome Film Festival and has the support of the Emilia Romagna Region and Film Commission Torino Piemonte.
I sincerely hoped for a different epilogue with regard to the personal story of Americo, a person of rare sensitivity to whom I have grown fond of.
A thank you in the credits, a reference, a name, even coffee was mentioned.
How would you react if, we can say the whole world, given that The Children’s train has been translated into twenty-five languages, knew elements of your story, then declined in a different way?
Would you still be happy or would you suffer?
Have you seen The Children’s train Netflix?
If, like me, you are left with the thought of those children travelling to the unknown and how they found the affection of families who welcomed them as children, I think this video will move you, it is not fiction:
Derna and Americo from the Rinaldi Archive